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»Why is it that people
who love each other cannot
always be together?«
(Excerpt from a letter
Leopold Mozart wrote to Johann Jakob Lotter on October 10, 1755.)
Johann Jakob Lotter – Augsburgs’s
publisher of sheet music
It was Protestant Johann Jakob Lotter (1683-1738)
who founded a printing firm in Augsburg and in 1705 started to
print sheet music. His success doubtless reached its peak when
he printed Johann Valentin Rathgeber's 'Ohrenvergnuegenden und
gemuethsergoetzenden Tafelconfects' with his new technology.
In 1747, his son, Johann Jakob Senior (1726-1804), took over
the business on Maximilianstrasse. Under the management of Lotter's
son the publishing house became highly esteemed in Southern Germany
and Austria with regard to Catholic church music as well as educational
music literature. He also published many of Leopold Mozart's
pieces and the two men remained friends throughout their lifetime.
For that reason Lotter also went to see Leopold in Salzburg.
With the help of Leopold, Lotter was able to meet people for
business reasons in Hungary and Slovakia.
Lotter and Mozart also
wrote letters to each other frequently (the only letters which
still exist were written by Leopold during a very short period
of time). When Mozart came to Augsburg in September 1755, he
did not want to stay with his brothers and sisters. In a letter
to Lotter he explained why that was. 'Not only my two brothers,
but also my two sisters are now married. There is therefore surely
no spare bed apart from that of the maidservant.' Lotter offered
to put Mozart up, and Leopold accepted.
On February 9, 1756
Leopold told his friend from Augsburg about the birth of his
son Wolfgang Amadeus. '…by the way, on January 27, at
8 pm, my wife gave birth to our son. His name is Joannes Christostomus
Wolfgang Gottlieb.' This letter is of great importance, because
it is one of the first notes on Wolfgang Amadeus.
Today, the
letter belongs to Augsburg's Mozart Memorial Museum. Also in
1756 Johann Jakob Lotter published Leopold Moart's essay 'Versuch
einer gruendlichen Violinschule' (Essay on the fundamentals of
violin playing), and together they tried to sell the piece, which
is considered to be one of the most important guides to learning
how to play the violin of that time. There were several editions
of it, and even during Leopold's lifetime it was published in
different languages. (R.W.)
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